Typically, I'm over undead films. While favorites such as 28 Days Later and the early episodes from The Walking Dead were gripping, this category seems largely depleted nowadays. Even the much-awaited 28 Years Later has been gathering dust on my to-watch queue for months. But, Netflix's latest Indonesian zombie flick, The Elixir, managed to subvert what I anticipated and proved quite entertaining.
Superb Pacing and Personal Growth
One of the film's strongest assets is its superb rhythm. It kicks off with a memorable opening sequence in which a calm family party is violently interrupted by a van crashes right into the seating section. Out of the van, a very zombie-like individual emerges proceeding assaulting the attendees. This dramatic moment is then followed by a flashback, allowing us to observe the family before the disaster occurred.
In contrast to many zombie films, The Elixir actually gives the audience sufficient opportunity to become acquainted with its main characters prior to the chaos ensues. We meet Nes, a wife and mother with a ex best friend, Karina, is now wed to Nes' father—a clearly awkward dynamic. Naturally, this has predictably led to a falling out between the two women. Then there's her sibling, Bang, described as good-natured but socially awkward, and who enjoys gaming alongside his nephew, Raihan. Nes' husband, Rudi, appears to have recently been unfaithful to Nes. The family patriarch consists of her dad, the owner of a well-known natural medicine company named Wani Waras, and who appears to care about just two aspects: his business and his wife to his daughter's former best friend. Needless to say, this gathering is extremely strained.
Invested in the Drama
I became so invested with this household's issues and their interpersonal drama to the point I nearly overlooked this was a scary movie—which might sound like a negative, but ultimately paid off. The Elixir dedicates a considerable amount of the film to showing us who each relative is, plus the ways they contribute to the overall dysfunction. This focus on conflicting traits allowed me to relate to the personalities sufficiently to care about their outcome—an uncommon accomplishment for this style which frequently presents individuals only to eliminate them soon after. The Elixir doesn't treat its cast as two-dimensional, disposable victims for a horde of zombies to consume, thus it's a genuine surprise once events finally deteriorate.
Reminiscent of Parasite
The initial sequences of the party and the multiple family interactions actually bring to mind the film Parasite, a tale that masquerades like a Korean drama with somewhat morbid comedy before taking a sudden turn toward shocking ground. These introductory scenes don't focus too heavily on comedy compared to Parasite, yet The Elixir nonetheless gives sufficient opportunity to immerse in its world before it gets turned upside down.
Original Infection Origin
This movie additionally presents a quite interesting explanation regarding the origin of the contagious zombification. Rather than a unintended lab leak or a type of bioweapon, the source for this infectious condition stems from a recent batch of Wani Waras herbal remedies developed by her dad. Although we do learn something regarding its origins, it would have been better if the film had spent additional focus explaining how Wani Waras transitioned from a trusted purveyor of natural treatments to producing a deadly elixir which seems to contain an extremely infectious virus. Regardless of the lack of background, the effect this affliction has on people proves absolutely repulsive, and I appreciate. The Elixir's undead are quick, bizarre in appearance, and, perhaps worst of all, always smiling. This is a bold choice, yet it works. The Elixir's practical effects and computer graphics also appear very realistic, and they're practically certain to provoke a fear of holes.
Resourceful Characters
Even better compared to the disgusting moments is the cast themselves. Of course, we see a few instances of dubious choices (as in typical undead film), however generally, Nes and her relatives show themselves inventive and quick-thinking. Additionally, they don't hesitate to strike a zombie in the head, stab it with a pitchfork, or beat it over the head with the nearest blunt instrument they find rather than standing still like a deer caught in lights while danger nears.
Believable Familial Discord
The Elixir doesn't abandon its themes on family conflict when people begin transforming into zombies, this proved a pleasantly realistic subversion from that "We don't get along|"We have issues, but you almost died I immediately forgive you for all your mistakes!" trope frequently used in end-of-world films. It's clear, Nes cares for her relatives and cares about her husband, Rudi, yet it's equally apparent she remains holding onto bitterness regarding his infidelity of their marriage vows. When the family becomes split up, they agree via telephone to regroup at a nearby location. However, once Bang reveals he is unaware the way to the location, Nes unleashes an immense level of irritation toward Bang that's clearly been brewing over time. Nes is not flawless, and her family—with all their imperfections—feel realistic and understandable since the movie avoids attempting to promote the idea that nearly dying instantly cures familial strife. This causes those instances when these characters express appreciation for each other seem much more sincere.
Stereotypical Ending
In spite of The Elixir's best attempts to innovate, the ending must be said to be somewhat stereotypical. The Elixir isn't really offering up any deep message about family or community, as well. Rather, it's primarily delivering frights. But they're effective frights, and since the film allows every personality enough room to grow and doesn't punish them for having flaws, the result proves an engaging and enjoyable
